Title | Hip-hop Urbanism Old and New |
Publication Type | Article |
Year of Publication | 2014 |
Author | Jeffries, Michael P. |
Newspaper/Magazine | International Journal of Urban and Regional Research |
Volume | 38 |
Number | 2 |
Pagination | 706-715 |
Publisher | John Wiley & Sons, Ltd. |
Publication Language | English |
The sustained connection between hip-hop and urban identity stems in part from the origins of hip-hop culture in post-industrial American cities during the late twentieth century. But hip-hop urbanism cannot be reduced to nostalgia or respect for previous traditions, as changing spatial demographics and the evolution of hip-hop production and consumption force a disaggregation and reconsideration of ‘urban music’. Contemporary hip-hop research in the United States must focus not only on the black and Latino communities responsible for hip-hop’s genesis, but on modern-day race- and class-based power dynamics, as well as on communities and social networks that are not typically considered urban. Ethnographers are especially well-positioned to lead this field, thanks to methodological and theoretical tools that allow them to focus on smaller and emergent musical communities in flux.