“Other People’s Property” is a very good book that is at its best when its author acts like a DJ. But don’t get it twisted: [Jason] Tanz sees hip-hop as text more than as sonic phenomenon or, for that matter, stone groove. “Other People’s Property” is made up of nine journalistic pieces, each a mix of reportage and personal reflection about race and the industry of hip-hop. It’s freaky, equally in love with Western philosophers such as Jean Baudrillard and the classic albums from hip-hop’s golden era. In a very hip-hop effort to get his shine on, the author mashes up his prose, cutting in and out of reportage and confessional styles.
This cutting edge documentary not only unmasks the faces of seven individuals addicted to graffiti, but it exposes their thoughts, feelings, faults and fears — an avenue unrivaled by any graff film to date[…]”Graffiti is like the United Nations. There is a representative from all corners of the earth. Black, white and the many shades in between, man or woman.”
When artist manager Sol Guy accompanied Vancouver rap group the Rascalz to Sierra Leone for a War Child/MuchMusic documentary in 2000, he had no idea what an impact it would have on his life. “That trip radically changed the way I look at the world and the course of my life and career,” Guy told the Straight. “I saw both the brutal realities of war and the beauty and power of Africa.”
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