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It Was Written

A White Man’s Look at Race and The Hip-Hop Industry

Tuesday, May 8, 2007

Other People's Property
“Other People’s Property” is a very good book that is at its best when its author acts like a DJ. But don’t get it twisted: [Jason] Tanz sees hip-hop as text more than as sonic phenomenon or, for that matter, stone groove. “Other People’s Property” is made up of nine journalistic pieces, each a mix of reportage and personal reflection about race and the industry of hip-hop. It’s freaky, equally in love with Western philosophers such as Jean Baudrillard and the classic albums from hip-hop’s golden era. In a very hip-hop effort to get his shine on, the author mashes up his prose, cutting in and out of reportage and confessional styles.

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It Was Shown

A Look Into ‘Infamy’

Tuesday, January 30, 2007

Cover of 'Infamy'
This cutting edge documentary not only unmasks the faces of seven individuals addicted to graffiti, but it exposes their thoughts, feelings, faults and fears — an avenue unrivaled by any graff film to date[…]”Graffiti is like the United Nations. There is a representative from all corners of the earth. Black, white and the many shades in between, man or woman.”

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KRS-One Threatens Journalist at Stanford Hip Hop Panel

Thursday, March 9, 2006
By: Michael Ivey
Lawrence “KRS-One” Parker this past weekend, during the Know-The-Ledge Hip Hop conference at Stanford University, used a discussion about the difference between hip hop and rap to berate hip hop journalist Adisa Banjoko. “What I wanna do is jump across the table and beat your fuckin ass,” said Parker after Banjoko challenged him to a debate. Tension mounted when, during his opening remarks, Parker said that, as opposed to a rapper, a hip hop artist points out truth on the spot. He proceeded to accuse Banjoko of slandering his name, calling him “a fraud,” “a enemy to our culture,” and even accusing him of being “a FBI agent in disguise.” Banjoko responded by yelling “stop the violence,” a statement made often by Parker in the past. Parker continued, saying “you ain’t thug,” to which Banjoko asked does he have to be? Parker responded, “with me you do. Today you do.” Banjoko then accused Parker of sending him a death threat, a claim Parker denied. He continued calling Banjoko a fraud and undercover agent, and warned, “…and don’t let us be somewhere.” KRS-One maintained that Banjoko had previously slandered his name in public.

Banjoko, who disputes Parker’s claim that his self and others “are hip hop,” because it is simply too large, said, “I’m not hip hop. I’m a black man and I got enough sense to know it. I got enough sense to know I’m a black man in America.” Banjoko claims he has challenged Parker to debate about whether an individual can in fact be hip hop, and said Parker responded with insulting e-mails and personal attacks. In an interview with this site Banjoko said, “I got lots of emails from MCs, DJs, B-boys, from all over the world – many of whom are famous. You know what they said to me? They said, “You are 1000% correct. KRS is on some bullshit, and I’ve been tired of it, but nobody would say anything.” But these cats won’t say it publicly.” Adisa Banjoko’s writing has appeared in XXL, The Source, Vibe, DaveyD.com and other media outlets. He has been invited to lecture on Hip Hop’s connection to eastern philosophy, martial arts, Islamic culture, and African American social issues, at universities such as Harvard, Stanford, U.C. Berkeley, U.C. Santa Cruz and San Francisco State.

With their debut, Criminal Minded (1987), Lawrence “KRS-One” Parker and the late DJ Scott La Rock cemented Boogie Down Productions as one of the most influential hip hop labels in history. Parker was one of the first emcees to combine hard core street lyrics with socially conscious messages. After La Rock was killed in 1987, Parker changed from “The Blastmaster” to “The Teacha.” He helped lead the “Stop the Violence” movement in hip hop with a song called “Self Destruction.” Lawrence “KRS-One” Parker also works as a hip hop lecturer. He is the author of eleven solo albums and a book entitled Ruminations.

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