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It Was Written

A White Man’s Look at Race and The Hip-Hop Industry

Tuesday, May 8, 2007

Other People's Property
“Other People’s Property” is a very good book that is at its best when its author acts like a DJ. But don’t get it twisted: [Jason] Tanz sees hip-hop as text more than as sonic phenomenon or, for that matter, stone groove. “Other People’s Property” is made up of nine journalistic pieces, each a mix of reportage and personal reflection about race and the industry of hip-hop. It’s freaky, equally in love with Western philosophers such as Jean Baudrillard and the classic albums from hip-hop’s golden era. In a very hip-hop effort to get his shine on, the author mashes up his prose, cutting in and out of reportage and confessional styles.

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It Was Shown

A Look Into ‘Infamy’

Tuesday, January 30, 2007

Cover of 'Infamy'
This cutting edge documentary not only unmasks the faces of seven individuals addicted to graffiti, but it exposes their thoughts, feelings, faults and fears — an avenue unrivaled by any graff film to date[…]”Graffiti is like the United Nations. There is a representative from all corners of the earth. Black, white and the many shades in between, man or woman.”

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That’s the Joint! The Hip-Hop Studies Reader

thatsthejoint
By Murray Forman & Mark Anthony Neal

That’s the Joint: The Hip-Hop Studies Reader brings together the best-known and most influential writings on rap and hip-hop from its beginnings to today. Spanning nearly 25 years of scholarship, criticism, and journalism, this unprecedented anthology showcases the evolution and continuing influence of one of the most creative and contested elements of global popular culture since its advent in the late 1970s. Think of it as “Hip-Hop 101.”

Assembled with great care by Mark Anthony Neal, hailed as “one of the most brilliant cultural critics of his generation” (Chicago Sun Times), and fellow hip-hop scholar Murray Forman, That’s the Joint is the first to attempt to present the most important hip-hop scholarship in one comprehensive volume. Presented thematically, the selections address the history of hip-hop, identity politics of the “hip-hop nation,” debates of “street authenticity,” gender, revolutionary politics, aesthetics, technologies of production, hip-hop as a cultural industry, and much more.

The articles presented here display a diverse array of concerns, illuminating hip-hop in its broadest conception as both a musical and cultural practice. Among the more than forty texts collected in the volume, you will find critiques of groundbreaking recordings like Grandmaster Flash and the Furious Five’s “The Message” and Public Enemy’s “It Takes a Nation to Hold Us Back,” some of the earliest commentary on B-Boys break dancing and DJs sampling, and serious responses to key moments and controversies from the 2 Live Crew obscenity trial to gangsta rap to the movement of hip-hop into commercial and academic spheres.

That’s the Joint is essential reading for fans and scholars alike, and rewarding for anyone who seeks to understand the profound impact of hip-hop as an intellectual, aesthetic, and cultural movement.

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