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It Was Written

A White Man’s Look at Race and The Hip-Hop Industry

Tuesday, May 8, 2007

Other People's Property
“Other People’s Property” is a very good book that is at its best when its author acts like a DJ. But don’t get it twisted: [Jason] Tanz sees hip-hop as text more than as sonic phenomenon or, for that matter, stone groove. “Other People’s Property” is made up of nine journalistic pieces, each a mix of reportage and personal reflection about race and the industry of hip-hop. It’s freaky, equally in love with Western philosophers such as Jean Baudrillard and the classic albums from hip-hop’s golden era. In a very hip-hop effort to get his shine on, the author mashes up his prose, cutting in and out of reportage and confessional styles.

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It Was Shown

A Look Into ‘Infamy’

Tuesday, January 30, 2007

Cover of 'Infamy'
This cutting edge documentary not only unmasks the faces of seven individuals addicted to graffiti, but it exposes their thoughts, feelings, faults and fears — an avenue unrivaled by any graff film to date[…]”Graffiti is like the United Nations. There is a representative from all corners of the earth. Black, white and the many shades in between, man or woman.”

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Talib Kweli is in the Building

Talib Kweli

By Davey D
Breakdown FM
September 19, 2006

We caught up with Talib the other day when he rolled through the Bay Area and talked to him about his upcoming album which looks to be his best ever.

We also talked to him about his new record label and movement Blacksmith, which includes everyone from Jean Grae on down to West Coast phenoms Strong Arm Steady. Talib is ready to make major moves in the next couple of years and take himself and Hip Hop to higher levels.

We talked to Talib about Hip Hop from overseas and where he thinks it stands with respect to cats in the states. We also talked to him about the state of Hip Hop in New York and what its going to take to bring New York back. We also asked him about whether or not he would start getting into movies. He let us know that he’s been hanging out in LA alot looking at scripts, but he may not be built for Hollywood.

Lastly we asked Talib the 64 thousand dollar question-’Who is a better emcee-him or Mos Def? If the two were to battle what would be the approach he takes to knock Mos out the box. Talib had a very insightful answer.

Enjoy todays interview.


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Source: daveyd.com

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