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A White Man’s Look at Race and The Hip-Hop Industry

Tuesday, May 8, 2007

Other People's Property
“Other People’s Property” is a very good book that is at its best when its author acts like a DJ. But don’t get it twisted: [Jason] Tanz sees hip-hop as text more than as sonic phenomenon or, for that matter, stone groove. “Other People’s Property” is made up of nine journalistic pieces, each a mix of reportage and personal reflection about race and the industry of hip-hop. It’s freaky, equally in love with Western philosophers such as Jean Baudrillard and the classic albums from hip-hop’s golden era. In a very hip-hop effort to get his shine on, the author mashes up his prose, cutting in and out of reportage and confessional styles.

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A Look Into ‘Infamy’

Tuesday, January 30, 2007

Cover of 'Infamy'
This cutting edge documentary not only unmasks the faces of seven individuals addicted to graffiti, but it exposes their thoughts, feelings, faults and fears — an avenue unrivaled by any graff film to date[…]”Graffiti is like the United Nations. There is a representative from all corners of the earth. Black, white and the many shades in between, man or woman.”

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Video Director Gil Green & Akon “Drop Jewels” In Africa

Music video director Gil Green

By JaneƩ Bolden
SOHH.com
September 25, 2006

Hip-Hop director Gil Green and Akon recently trekked to Africa to teach a music video course.

Green, who has directed videos for Lil Jon, Three 6 Mafia and Rick Ross, was invited to conduct the two-week long music video workshop sponsored by MTV Base, NYU and Ghana’s Ministry of Tourism, designed to raise the bar for music videos in Africa.

NYU Ghana provided classrooms, facilities and equipment for the workshop. Ten Ghanaian video directors (Gerald OG, King Luu, Felix Dakat, Paa Kwesi, BB Menson, Abraham Ohene Djan, Q de Lust, Abdulai, Ezekiel and Panji Anoff) were hand-picked for the class, conducted from August 23-29 by Green, along with a notable crew that also included Director of Photography Martin Lince, Producer Martell Rose and Editor Pierre Verna. The class wrapped by collectively shooting Akon’s “Mama Africa” video.

“When they contacted me there was no artist tied on to the project, so I asked if we could shoot a video as part of the class. I connected the organizers with Akon’s camp. I volunteered my services and also helped get a top producer, editor and DP to do the same,” Green told SOHH exclusively.

The average music video in Ghana is made for less than $2,000 dollars and most directors in the country have never shot on film.

“Getting the camera into the country was a big ordeal; they don’t even have a film camera in the country. This is what they go through on the daily, there’s no money for the arts. That’s one reason why the quality is not the same as in the States. I had a chance to work with some really creative and talented directors with vision, who have to make due with what they have,” Green explained.

In addition to “Mama Africa,” the ten workshop participants also filmed the video “Kangaroo” by hip life artist Tic Tac featuring Batman.

“The music they listen to there is called ‘hip life’ which is like hip hop mixed with African and dancehall. It’s dope. As filmmakers this is the reason why we do what we do. I personally got involved in film to make a difference in the art that we do. Ghana really needs some help on the lighting tip. They could use donations or help acquiring lights and film equipment for the country,” Green shared with SOHH.

Anyone willing to donate lighting or film equipment to Ghana should contact Gil Green at info@gilgreen.com.

Source: sohh.com

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