Rap Criticism Grows in Hip-Hop Community

By Nekesa Mumbi Moody
Associated Press
March 4, 2007

Maybe it was the umpteenth coke-dealing anthem or soft-porn music video. Perhaps it was the preening antics that some call reminiscent of Stepin Fetchit.

The turning point is hard to pinpoint. But after 30 years of growing popularity, rap music is now struggling with an alarming sales decline and growing criticism from within about the culture’s negative effect on society.

Rap insider Chuck Creekmur, who runs the leading Web site Allhiphop.com, says, “a lot of people are sick of rap. … The negativity is just over the top now.”

The rapper Nas, considered one of the greats, challenged the condition of the art form when he titled his latest album “Hip-Hop Is Dead.”

It’s at least ailing, according to recent statistics: Though music sales are down overall, rap sales slid a whopping 21 percent from 2005 to 2006, and for the first time in 12 years no rap album was among the top 10 sellers of the year. A recent study by the Black Youth Project showed a majority of youth think rap has too many violent images.

In a poll of black Americans by The Associated Press and AOL-Black Voices last year, 50 percent of respondents said hip-hop was a negative force in American society.

Nicole Duncan-Smith grew up on rap, worked in the rap industry for years and is married to a hip-hop producer. She still listens to rap, but says it no longer speaks to or for her.

“I’m not removed from it, but I can’t really tell the difference between Young Jeezy and Yung Joc. It’s the same dumb stuff to me,” says Duncan-Smith, 33. “I can’t listen to that nonsense. … I can’t listen to another black man talk about you don’t come to the ‘hood anymore and ghetto revivals … I’m from the ‘hood. How can you tell me you want to revive it? How about you want to change it? Rejuvenate it?”

Hip-hop also seems to be increasingly blamed for a variety of social ills. Studies have attempted to link it to everything from teen drug use to increased sexual activity among young girls.

Even the mayhem that broke out in Las Vegas during the NBA All-Star Game was blamed on hip-hoppers. “(NBA Commissioner) David Stern seriously needs to consider moving the event out of the country for the next couple of years in hopes that young, hip-hop hoodlums would find another event to terrorize,” columnist Jason Whitlock wrote on AOL.

While rap has been in essence pop music for years, and most rap consumers are white, some worry that the black community is suffering from hip-hop - from the way America perceives blacks to the attitudes and images being adopted by black youth.

But the rapper David Banner derides the growing criticism as blacks joining America’s attack on young black men who are only reflecting the crushing problems within their communities. Besides, he says, that’s the kind of music America wants to hear.

“Look at the music that gets us popular - ‘Like a Pimp,’ ” says Banner, naming his hit.

“What makes it so difficult is to know that we need to be doing other things. But the truth is at least us talking about what we’re talking about, we can bring certain things to the light,” he says. “They want (black artists) to shuck and jive, but they don’t want us to tell the real story because they’re connected to it.”

Criticism of hip-hop is certainly nothing new - it’s as much a part of the culture as the beats and rhymes. Among the early accusations were that rap wasn’t true music, its lyrics were too raw, its street message too polarizing. But they rarely came from the youthful audience itself, which was enraptured with genre that defined them as none other could.

“As people within the hip-hop generation get older, I think the criticism is increasing,” says author Bakari Kitwana, who is currently part of a lecture tour titled “Does Hip-Hop Hate Women?”

“There was a more of a tendency when we were younger to be more defensive of it,” he adds.

One rap fan, Bryan Hunt [sic], made the searing documentary “Hip-Hop: Beyond Beats and Rhymes,” which debuted on PBS recently.

Hunt addresses the biggest criticisms of rap, from its treatment of women to the glorification of the gangsta lifestyle that has become the default posture for many of today’s most popular rappers.

“I love hip-hop,” Hunt [sic], 36, says in the documentary. “I sometimes feel bad for criticizing hip-hop, but I want to get us men to take a look at ourselves.”

Even dances that may seem innocuous are not above the fray. Last summer, as the “Chicken Noodle Soup” song and accompanying dance became a sensation, Baltimore Sun pop critic Rashod D. Ollison mused that the dance - demonstrated in the video by young people stomping wildly from side to side - was part of the growing minstrelization of rap music.

Source: lsj.com